Tag Archives: Typography

New release: InDesign CC Book Production, putting books together

Skilled Workman Posted on by

With this final release, InDesign CC Book Production, Putting the book together, my video coursework for book production is complete. This course removes the difficulty and relives the complexity of producing excellent quality, professional books. This is a very practical course. There is a lot to learn, but none of it is very difficult. It is very complex though. It is the goal of the course to make the complexity easy to understand and relatively simple to execute. If you have … Continue reading →

First course of book production has been released

Skilled Workman Posted on by

Today, my first course of book production has been released. I’m building video coursework for using InDesign to produce books on Udemy starting with basic typography. Actually we start with the very beginning, where you must choose: Book size Margins Column width And more This first course of book production lays a solid foundation This is the largest lack in most self-published books today. Much of it is not the fault of the author or designer—it’s the tools they are using. … Continue reading →

Book production getting started understanding typography

Skilled Workman Posted on by

I’m working on new video coursework about using InDesign for publishing. The first course is concerned about book production getting started understanding typography. My concern is reaching my target audience which is you. I’m writing for an elusive niche—people like yourselves who understand the value of the typographic power of a tool like InDesign. As a font designer, I am very much aware of the fact that no software can build typographic communication as well as InDesign with … Continue reading →

Book design needs titling fonts

Skilled Workman Posted on by

Creative Pro has a good article today about titling fonts. Book design needs titling fonts to make your chapter heads, section titles, and such much better looking, easier to read, and provide a more comfortable reading experience. In general, titling fonts use letterspacing which is too tight to be used at body copy sizes. They are carefully crafted to be more elegant. And often they are condensed—though I usually don’t do that. Book design needs titling fonts & … Continue reading →

A FontLab 5 webinar perusal for kicks

Skilled Workman Posted on by

I ran across this FontLab 5 webinar perusal on YouTube today. The recording quality is poor. But it might be helpful. At least there’s a bit of a face and voice with the name. The basics of a Fontlab workflow: new font

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Self-publishers trade publishing dreams need excellence

Skilled Workman Posted on by

Self-publishers trade publishing dreams need excellence to provide better hopes. There are realistic, if remote, possibilities of being picked up by a “real” publisher. But only if you can demonstrate excellent sales, a sizable following, or ongoing usage (like coursework, regularly scheduled seminars, and the like). I thought the image of Victorian woodtype might help drive home the concept of tradepub being a step back to a time which really doesn’t exist any more. Traditional publishing as we … Continue reading →

Biblia, Biblia Serif, new book production fonts

Skilled Workman Posted on by

Today I’m pleased to announce that Hackberry Font Foundry has released Biblia, Biblia Serif, new book production fonts for my friends. This is specifically designed for my cohorts, writers and publishers of Christian fiction and non-fiction. That’s why they are named Biblia. I’m working on a companion sans named Draetha, which is Welsh for preach. These fonts have a long history. In the early nineties, I fell in love with the look of a font named Minister. I … Continue reading →

InDesign CC 2017 whimpers in esoterically, under the radar

Skilled Workman Posted on by

Yes, I said that InDesign CC 2017 whimpers in under the radar. Version 12.0 has very little for me. Your usage may vary. But, this is all a normal part of the process as software matures. And, have no doubt, InDesign is matured—the best in the field. To restate things, InDesign can now do almost anything you need. It’s been that way for me since CC 2014. The result is that the engineering team adds features which apply to smaller … Continue reading →

Briskly: new font release for Fall 2016

Skilled Workman Posted on by

I’ve put this off for years, but it just seemed time. Briskly: new font release is a font made from one sample of my handwriting. An ASCII font (256-character), it will work well for desktop, Web, and ePUB. The only place you will be able to buy it with included ebook licenses is here on this Website. Briskly: new font release is here! There are some interesting aspects to this font. First, some of the characters have a unique slant … Continue reading →

Converting Books to Ebooks with InDesign CC

Skilled Workman Posted on by

Book designers often dread converting books to ebooks — the process of changing a greyscale printed book to various full-color ebooks: downloadable PDFs, ePUB FXL and Reflow, & Kindle books of various flavors from e-ink to large Fire tablet. It often seems a bit like wizard work requiring incantations, lots of smoke, and mirrors. Sad to say, on the Kindle end of things, that’s fairly accurate. Yet things are not as they seem, as InDesign CC has … Continue reading →