Tag Archives: Readability

The stupid Kindle argument continues unnecessarily

Skilled Workman Posted on by

I’ve been fighting the stupid Kindle argument more and more lately. Kindle remains stupid, as far as formatting is concerned. Kindle’s immense list of things which cannot be done remains. Worse yet, they continue to strip out a lot of stuff. I’ve come to do a Kindle version with: HTML lists: InDesign does an excellent job of typesetting lists with custom indents and special bullets. They work fine in ePUBs with embedded fonts, but Kindle ruins them. … Continue reading →

New release: InDesign CC Book Production, putting books together

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With this final release, InDesign CC Book Production, Putting the book together, my video coursework for book production is complete. This course removes the difficulty and relives the complexity of producing excellent quality, professional books. This is a very practical course. There is a lot to learn, but none of it is very difficult. It is very complex though. It is the goal of the course to make the complexity easy to understand and relatively simple to execute. If you have … Continue reading →

Self-publishers trade publishing dreams need excellence

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Self-publishers trade publishing dreams need excellence to provide better hopes. There are realistic, if remote, possibilities of being picked up by a “real” publisher. But only if you can demonstrate excellent sales, a sizable following, or ongoing usage (like coursework, regularly scheduled seminars, and the like). I thought the image of Victorian woodtype might help drive home the concept of tradepub being a step back to a time which really doesn’t exist any more. Traditional publishing as we … Continue reading →

Keeping your mind open to creative typographic solutions

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One of the main troubles we have in setting books for readability is the set of largely subconscious rules we’ve learned over the years. In an entertaining and useful article today by Jonathan Hoefler named: How to Use Clashing Fonts He gives us several examples showing why it is necessary to break common “rules” in the interest of both style and readability. In the example he gives above, he shows the use of two virtually identical Dutch Old … Continue reading →

A free sample of “Book Publishing With InDesign CC” is available

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I’ve published a sample of the new book on the Adobe servers. It’s about 75 pages of the various sections of the book. If you are interested in a review copy I recommend the PDF is reader’s spreads with the full color graphics. Let me know if you are interested. Here’s a link to the page with more information and purchase links. If word processor book production is taking up too much time and the results are … Continue reading →

Readability is the prime virtue of book design

Skilled Workman Posted on by

I decided I needed to beat an old drum. Readability is the focus of book design typography. This was the core of curriculum in my digital publishing degree. It’s the center of my graphic design and book design efforts. Without comfortable, readable content, your book has a severe handicap. What is readability? This is all about book design typography. Here’s a little graphic to show you some of the things that influence how easily you can read a … Continue reading →

Printing quality: Lightning Source, Lulu, or Createspace

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This has been an interesting question for the past decade. There are several things which enter into the equation. The two most important are defects and general quality. Aaron Shephard falls on the side of Createspace in a radical change this morning. He’s always taught that Lightning Source is necessary for quality. Defects are a normal aspect of printing Printing is an amazingly complex manufacturing process. Most people tend to think that on-demand digital printers are much better … Continue reading →

Why does list quality matter in your ePUB?

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Yea, I know, here goes David off on another of his “professional quality” rants again…. But this one’s important! Lists are #3 in reading importance The studies I’ve seen [and please prove me wrong if you know better] show that, after picture captions and headlines, lists are third in reader importance. Many readers look for lists as they start skimming when they get bored. They assume that a list will give them a synopsis and let them … Continue reading →

Cover Design: The seduction of type effects

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Amateur covers are obvious! The number one mistake is made by adding all kinds of fancy trimmings to your type. Not only does it make the type much harder to read, but all trained designers have been strongly told that NO ONE EVER does that. As a result, there are very few professional covers with type stylized like that. If it is, the type is carefully embossed, maybe beveled. Using the minimal amount necessary to get the … Continue reading →

How your readers see your letters: legibility

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8. No ALL CAPS As mentioned in the underline section, setting letters in all caps is the other way to emphasize words on a typewriter. Typesetting has many more options like italic, bold, bold italic, small caps. Plus we can use a larger size, a different font, a different color, and more. In fact, we must be careful we do not get carried away in our enthusiasm for all the options at our disposal. ALL CAPS IS … Continue reading →