A prayer for a blessed Christmas 2021 is complex. For those of you in the Bride of the Messiah, it’s an exciting time. You can click on the image to the left for a pay whatever you like—if anything— link to a PDF and/or ePUB of a short booklet. It’s exciting as we live in Bible times. This time is as major as the first time Yeshua came to earth in the flesh. As far as momentous … Continue reading →
Almost time to go. Maranatha! I had a little fun with a spring-time t-shirt. Here’s a link. I’ll add the graphics below. Of course, it’s Zazzle so you can use the designs on anything. Front: Over the heart Back: covers the back I pray you have a blessed Passover/Easter feast. He is risen!!!
Continue reading →Again, Kindle image size rules change. Not a whole lot, but the new outrageous Kindle image sizes become more understandable. I was reading a Kindle formatting guide, from Amazon, the other day which said full-width images needed to be 3000 pixels wide. This is not that bad. However, in Aaron Shepard’s Publishing Blog today, I read the following paragraphs: But not long ago, I received one of those dread quality notices from Amazon, in this case warning me of … Continue reading →
Gizmag has an interesting article today about color e-Ink. They claim it will not have any impact on ereaders. I hope they are wrong. Paperwhites, and their ilk, are one of the largest drags of ebook publishing today. They are great for simple novels and white papers. They are quite bad for non-fiction with its need for complex lists, large tables, color images, and so on. Color e-ink could bring the most popular ereaders to a new … Continue reading →
Hoefler&Co. posted an excellent article this morning about italic fonts. It covers a dozen varieties (though it seems like more), plus it explains some of the reasons why italics end up with the designs which seem so far from normal.
Continue reading →Graphic needs for Print, PDF, ePUB, & Kindle KFX For book publishing, what you need to understand about graphics is how usage varies in the different formats. You’ll need to hand-adjust to produce the graphics for the various formats. Automation causes many problems. I’m just going to list the four options and their requirements, best formats, and so on. Greyscale print with color cover Lulu & Createspace, plus professional on-demand like Lightning source: You need to be careful. … Continue reading →
I found this today, going through my emails. It is beautiful and wonderful. About five minutes… Dan Nelson’s delightful Cross Hatching library teaching ink illustration Does this take a lot of time? Duh! Is it satisfying? Yes. How does it compare to knitting, embroidery, painting, and all the rest? It’s just another opportunity to learn to get in touch with the things which matter in your life. It can be cathartic therapy, all the way to gentle … Continue reading →
Although the large changes in ePUB export are seen in the fixed layout variety, what they now call reflowable ePUBs are also improved. They have their own dialog box and they are a separate choice when you export. You now add the metadata in the export reflowable ePUB dialog box. This saves time and hassle. Our control over placed graphics is much better, as long as you stay within the rules. Inline graphics are all rasterized or … Continue reading →
This is probably the big news for InDesign CC 2014. Although there have been many improvements to Reflowable ePUBs, they are incremental. The ePUB FXL has the possibility of being almost revolutionary. So, how big is this change? It is very hard to show the differences because the layouts are so different. But, let’s look at two examples where I did the best I could to get the same content side by side. In this small-sized screen … Continue reading →
I’ll be sharing tips and techniques on letterspacing. This important task is relatively easy in FontLab and I’ll show you how. Here’s FontLab’s invite: Advanced Font Creation Tips, Made Accessible David Bergsland’s first webinar on troubleshooting font creation got a standing ovation from the attendees! David’s no-nonsense designer-friendly approach is accessible to all. Now he is following it up with “Advanced Font Creation” in FontLab Studio Tuesday June 10 at 9:00 am Pacific / noon Eastern / 18:00 CEST. Register … Continue reading →