Araldo is a headline font with spunk for today. I needed something with a little life for my new book production group: Biblia Serif, Dreatha, and now Araldo. This new font family is doing well for me. Biblia Serif and Draetha are both excellent book production font families. In other words, they are not memorable. In fact, if they do their job well, you don’t even notice them. But as I mention in the flyer to the … Continue reading →
Leading-Trim destroying traditional typography seems a strange way to start an article on typography. But for the sake of Web developers, who are commonly typographic illiterates, they are toying with changing the historic basis of paragraph spacing, and all line spacing. What set me off is an article I read this morning in Medium, a magazine with which I was unfamiliar. The head and subhead are: Leading-Trim: The Future of Digital Typesetting How an emerging CSS standard … Continue reading →
This is just a quick note about some free font design resources which provide good typographic knowledge. I’m mentioning this because a large portion of my readers don’t come out of a professional graphic design or typographic background. These things are often not known by authors whose background is mostly found in Office and free design apps. The longer you work in page layout, the more important fonts and font design become for many if not most … Continue reading →
The Boxy FontSpring introductory offer is really cheap. As my new font family, Boxy, rolls out there is a wonderful intro offer on Fontspring. It currently available at MyFonts, FontSpring, Creative market, and here on this site. As many of you know, normal professional pricing on MyFonts, fonts.com, or YouWorkforThem is $24.95 per font and $74.95 for the four-font family. The FontSpring price is exceptional. Boxy FontSpring introductory offer is really cheap Until mid-February, their price is … Continue reading →
Today I ran across this Old Hermann Zapf film [look at the end of the post]. It’s an old film, 1967. But, it starts out with Hermann freehanding large caps with chalk on a chalkboard. It’s breathtaking. The letters look remarkably like what we finally see in Zapfino. It was produced by Hallmark during a visit Mr. Zapf made there. Here’s a quote from an article on Linotype where they have a lot more info: Hermann’s account of … Continue reading →
For the holidays, I set up a 64% Off sale for one of my powerful book design font groups on MyFonts. This includes the font families of Librum, Librum E, Librum Sans, Bookish, Bream, and Bulkr. So, instead of the normal $25 a font/$75 a family, all the individual fonts and families in the Librum Book Design Group are available for $9 per font/$27 per family or less through February 3, 2018. The image on the left links to a copy … Continue reading →
Creative Pro has a good article today about titling fonts. Book design needs titling fonts to make your chapter heads, section titles, and such much better looking, easier to read, and provide a more comfortable reading experience. In general, titling fonts use letterspacing which is too tight to be used at body copy sizes. They are carefully crafted to be more elegant. And often they are condensed—though I usually don’t do that. Book design needs titling fonts & … Continue reading →
I ran across this FontLab 5 webinar perusal on YouTube today. The recording quality is poor. But it might be helpful. At least there’s a bit of a face and voice with the name. The basics of a Fontlab workflow: new font
Continue reading →Today I’m pleased to announce that Hackberry Font Foundry has released Biblia, Biblia Serif, new book production fonts for my friends. This is specifically designed for my cohorts, writers and publishers of Christian fiction and non-fiction. That’s why they are named Biblia. I’m working on a companion sans named Draetha, which is Welsh for preach. These fonts have a long history. In the early nineties, I fell in love with the look of a font named Minister. I … Continue reading →
I’ve put this off for years, but it just seemed time. Briskly: new font release is a font made from one sample of my handwriting. An ASCII font (256-character), it will work well for desktop, Web, and ePUB. The only place you will be able to buy it with included ebook licenses is here on this Website. Briskly: new font release is here! There are some interesting aspects to this font. First, some of the characters have a unique slant … Continue reading →