I’ve published a sample of the new book on the Adobe servers. It’s about 75 pages of the various sections of the book. If you are interested in a review copy I recommend the PDF is reader’s spreads with the full color graphics. Let me know if you are interested. Here’s a link to the page with more information and purchase links. If word processor book production is taking up too much time and the results are … Continue reading →
Body copy styles The first formatting decisions I will be talking about are for the body copy. This is what Word calls Normal. Many of the Word docs you get to setup will be entirely locally formatted Normal. It is the main content of your book, and it must be comfortable to read. This paragraph style is what produces that smooth type color you need for the background against which the contrasting heads and subheads stand out. … Continue reading →
Graphic needs for Print, PDF, ePUB, & Kindle KFX For book publishing, what you need to understand about graphics is how usage varies in the different formats. You’ll need to hand-adjust to produce the graphics for the various formats. Automation causes many problems. I’m just going to list the four options and their requirements, best formats, and so on. Greyscale print with color cover Lulu & Createspace, plus professional on-demand like Lightning source: You need to be careful. … Continue reading →
Before I get started with this, I need remind you about the goal: a beautiful book which is comfortable to read. You need a customized set of styles to enable you to keep your book consistent and give you global control over the entire book as you format. Excellent typography is only possible if you understand how to design paragraphs. Styles make paragraph design possible. We will deal with them conceptually, but you should know this is … Continue reading →
This is part two of the new series on page layout from my new book, Self-Publishing With InDesign CC. We continue with two of the most important controls for readability. To the left is an example of bad design. The body text is Berthold Baskerville Book 8/12, while the caption is Adobe Garamond Pro 6/7. So, no one can read it—too small. The columns are so narrow that there are only 7-9 words per line with the average closer … Continue reading →
As I get ready to release my new book, Self-Publishing With InDesign CC, I want to share some of the basic ideas in the book. Self-publishers rarely know page layout standards So, this little series will help with some of those basic decisions you need to make. Setting up your book to be read: One of the more daunting aspects of book design for the inexperienced is page layout. Most people have Word experience and as I have said … Continue reading →
CREATIVE PRO HAS AN EXCELLENT ARTICLE TODAY on poster design. I mention this because authors without the trained eye of the designer make embarrassing design mistakes because this knowledge is not part of their understanding. Self-publishers must train their eyes Books like Ellen’s shown above are a real help as you expand your knowledge beyond the narrow confines of writing and editing. What writers are normally not aware of is the constant visual input which is the … Continue reading →
Click on the image to find links to download the free trial, buy a subscription, or whatever. This is always a big day for me. I’ve been working getting ready for the changes, so I can help you with any questions. Again, this go-round, there’s not much for book production. OpenType and Glyph Features There are new features to help with OpenType glyph choices. They are available from the Font Menu, from contextual menus when selecting characters [right-click], and there’s … Continue reading →
As a font designer, Monotype is the biggest and best. They have all the top sites: fonts.com, myfonts.com, itc.com, and several more. They are the sites used by the pros, primarily. At the least, the pros sell their fonts there also. These places are where my fonts are sold, in most cases. Ebook licensing is very new I have the entire Adobe library and several others, maybe 4000 fonts total. None of them are licensed for anything other … Continue reading →
I don’t do this as often as I should (read other people’s books on self-publishing). It’s not because I don’t think they have good things to offer. Mainly it’s the result of a reasoning and a fact. First, I don’t want to accidentally plagiarize someone while writing. So, I tend to keep others’ writing out of the memory banks. Second, most non-fiction on book publishing is far too expensive for my little budget. But I picked up a copy … Continue reading →