8. No ALL CAPS As mentioned in the underline section, setting letters in all caps is the other way to emphasize words on a typewriter. Typesetting has many more options like italic, bold, bold italic, small caps. Plus we can use a larger size, a different font, a different color, and more. In fact, we must be careful we do not get carried away in our enthusiasm for all the options at our disposal. ALL CAPS IS … Continue reading →
For the past two decades, I have taught digital publishing skills. For the past fifteen years I have written and published books, both traditionally and on-demand. I have taught skills to present digital content transparently, effectively, and gracefully. I’ve learned how to present reader-centered books to my students and followers. But Word [and word processors in general] cannot do this. There are skills and capabilities that are necessary which are simply not available in Office. Here’s a … Continue reading →
6. Real quotes and apostrophes Here is another place where typewriters are limited by the lack of characters. All typewriters have is inch and foot marks. Quotation marks and apostrophes look very different. This is another typographical embarrassment when used incorrectly. There are more keystrokes you need to learn, though you can solve most of the problems by turning on Use Typographer’s Quotes in Type page of Preferences. The shortcut is Command+Option+Shift+’ by default to toggle this … Continue reading →
Niche writers to limited markets Here we begin to see the modern reality of publishing. The change is of the same type as we saw with the conversion in television from three, then four, gargantuan mass-market networks to the current reality of thousands of channels on cable and satellite. The same thing has happened in magazines where there are now over 10,000 magazines in the US alone. There are now millions of active blogs. We are currently … Continue reading →
Producing a KF8 Kindle book Until very recently, I gave some very explicit instructions for the construction of the HTML and CSS needed to step back in time to Amazon’s MOBI format. It was extremely limited in what was allowed. Designers are rarely good coders, and writers even less so. InDesign is the best tool we have at present, but there’s still a long way to go until some of the typographic niceties we rely on in print … Continue reading →
Anna-Marie gave us this link in Design Geek for the online help PDFs for CS5.5
Continue reading →Make the margins bigger | I love typography, the typography and fonts blog. The I Love Typography blog is often over the top. Even as a typographer who has focused his career on type—both font design and page layout (the two parts of typography)— this blog is always fun, often beautiful, but commonly irrelevant to my daily work. On the other hand, the item discussed in the posting this morning is critical to excellence in typography. Margins … Continue reading →
The greatly expanded and rewritten Writing In InDesign Second Edition has been released Buy it Now! Versions available so far Spiral-bound premium workbook $19.99 7×10 perfect-bound paperback $17.99 Kindle (with embedded fonts for Fire) $7.99 (Available in the Kindle Lending Library) What started as a relatively small update turned into a large scale revision when I began adapting my popular Writing In InDesign book to the responses and suggestions I received. I have been pleasantly surprised at all the people … Continue reading →
There are many exciting things to be found in the new version of InDesign. But if you read carefully, most of them are focused on an unspecified future where ePUB3 and HTML5 /CSS3 are the normal standards of ebook publishing. They are not now. In fact, there is no ePUB3 reader in common use at this time. In fact, there is really nothing out there for readers of ePUB books. I love CS6. It makes excellent ePUBs. … Continue reading →
Today I’m mentioning the basic structure of typography. There is one concept which enables typography as we know it in modern book publishing. This is the concept of styles. These styles are contained in styles panels. InDesign has five of them: paragraph, character, object, table, and cell. Styles are also available in word processors—even though they are not nearly so powerful there. What is a style? A style is a collection of specialized typographic defaults that can … Continue reading →