I’ve put this off for years, but it just seemed time. Briskly: new font release is a font made from one sample of my handwriting. An ASCII font (256-character), it will work well for desktop, Web, and ePUB. The only place you will be able to buy it with included ebook licenses is here on this Website. Briskly: new font release is here! There are some interesting aspects to this font. First, some of the characters have a unique slant … Continue reading →
Book designers often dread converting books to ebooks — the process of changing a greyscale printed book to various full-color ebooks: downloadable PDFs, ePUB FXL and Reflow, & Kindle books of various flavors from e-ink to large Fire tablet. It often seems a bit like wizard work requiring incantations, lots of smoke, and mirrors. Sad to say, on the Kindle end of things, that’s fairly accurate. Yet things are not as they seem, as InDesign CC has … Continue reading →
I just posted a link to this article from The Bookseller: stating the digital revolution is definitely not over. Of course, that is one of those DUH! facts. The future of books is even more complex than you may think, though. How do we deal with audio, video, interactive content, and so on? Basically… The future of books is in the readers’ hands We really don’t know where it will go. Is a book, with a movie … Continue reading →
I received this in an email from Aaron Shepard this morning. I didn’t get permission to copy this, but I’ve done what I can to make sure you know this is Aaron’s writing. Evidently, Kindle book modification is still a problem after they are uploaded in the name of “better typography”. Aaron has some serious questions about this process. It is certainly something of which to be aware. The following quote is from Aaron’s email: One of the problems in … Continue reading →
Gizmag has an interesting article today about color e-Ink. They claim it will not have any impact on ereaders. I hope they are wrong. Paperwhites, and their ilk, are one of the largest drags of ebook publishing today. They are great for simple novels and white papers. They are quite bad for non-fiction with its need for complex lists, large tables, color images, and so on. Color e-ink could bring the most popular ereaders to a new … Continue reading →
Mumble, grumble, PITA, ;oebpa;b/ hkvo… Ok! Now that’s off my chest. I just had fits with a Kindle book for a client. I use to do them first (after the print/PDF versions were complete) because they were such a pain in the a…, but I’ve begun doing them last because they’re just bleah. Working with Kindle formatting seems like stepping back a decade. For me, the ePUB problems have largely been solved: paragraph shading, anchored graphics, embedded … Continue reading →
Even after over forty-five years, there’s still that little thrill when you see a finished book for the first time. It’s too bad that Amazon won’t carry them. But, they are the best choice for the classroom or self-study. The spiral-bound workbook I had to cut out the Christian marketing section to get the page count below the 470 page maximum for spiral-bound. The only thing I really miss are the color graphics. To get that (and … Continue reading →
I’ve published a sample of the new book on the Adobe servers. It’s about 75 pages of the various sections of the book. If you are interested in a review copy I recommend the PDF is reader’s spreads with the full color graphics. Let me know if you are interested. Here’s a link to the page with more information and purchase links. If word processor book production is taking up too much time and the results are … Continue reading →
Graphic needs for Print, PDF, ePUB, & Kindle KFX For book publishing, what you need to understand about graphics is how usage varies in the different formats. You’ll need to hand-adjust to produce the graphics for the various formats. Automation causes many problems. I’m just going to list the four options and their requirements, best formats, and so on. Greyscale print with color cover Lulu & Createspace, plus professional on-demand like Lightning source: You need to be careful. … Continue reading →
As a font designer, Monotype is the biggest and best. They have all the top sites: fonts.com, myfonts.com, itc.com, and several more. They are the sites used by the pros, primarily. At the least, the pros sell their fonts there also. These places are where my fonts are sold, in most cases. Ebook licensing is very new I have the entire Adobe library and several others, maybe 4000 fonts total. None of them are licensed for anything other … Continue reading →